A compressor from Ogden, Utah that sounds like Memphis
Spectra Sonics was founded in Ogden, Utah in 1964 by William G. Dilley. It’s not where you’d guess a Memphis soul sound came from, but Spectra’s 101 preamps get described as exactly that: the sound of Stax Records. Spectra consoles also ended up at Ardent in Memphis, the Record Plant in New York, and much later at Dan Auerbach’s Easy Eye Sound in Nashville.
The 610 Complimiter came out in 1969. It pairs a compressor/limiter module with 101-style make-up gain, and it’s fast. The published attack time runs from 100 nanoseconds to 2 microseconds, which is quicker than almost anything else you’re likely to plug in.
That kind of speed can be ugly in the wrong place and great in the right one. Dave Cobb has been loud about liking them. Vintage King quotes him: “I used the hell out of them on the new Jason Isbell record.” Vance Powell and Tchad Blake are fans too.
Where it works
Drum rooms, mostly. Something that grabs that quickly turns a room mic into a wall. It’s also good on bass when you want every note to sit exactly where it is.
Watch and read
- WhisperRoom / Recording Studio Rockstars: The Spectra Sonics story
- Vintage King: Spectra Sonics 610 Complimiter
- Vintage King: A short history of Spectra Sonics
- Tape Op: V610 Complimiter review
Gear in this post: Spectra Sonics 610 Complimiter, Spectra Sonics 101
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